"I don't see very clearly. Of course you must give her what you offered her; of course you must keep your word. There must be no mistake about that!" the girl declared. She had the sense for a while of Mrs. Gereth's regarding her with the detachment of some stern, clever stranger. "Then what's the matter with you? Why do you want me to give in?"!

"But why on earth?" Mrs. Gereth's sad eyes were fixed on her. What did he want her to understand? He seemed unable to bring it out, and this understanding was moreover exactly what she wished not to arrive at. Bewildered as she was, she had already taken in as much as she should know what to do with; the blood also was rushing into her face. He liked her—it was stupefying—more than he really ought: that was what was the matter with him and what he desired her to assimilate; so that she was suddenly as frightened as some thoughtless girl who finds herself the object of an overture from a married man.

These arts, when Mrs. Gereth's spirits were high, were handled with a brave and cynical humor with which Fleda's fancy could keep no step: they left our young lady wondering what on earth her companion wanted her to do. "I want you to cut in!"—that was Mrs. Gereth's familiar and comprehensive phrase for the course she prescribed. She challenged again and again Fleda's picture, as she called it (though the sketch was too slight to deserve the name), of the indifference to which a prior attachment had committed the proprietor of Poynton. "Do you mean to say that, Mona or no Mona, he could see you that way, day after day, and not have the ordinary feelings of a man?" This was the sort of interrogation to which Fleda was fitfully and irrelevantly treated. She had grown almost used to the refrain. "Do you mean to say that when, the other day, one had quite made you over to him, the great gawk, and he was, on this very spot, utterly alone with you—?" The poor girl at this point never left any doubt of what she meant to say, but Mrs. Gereth could be trusted to break out in another place and at another time. At last Fleda wrote to her father that he must take her in for a while; and when, to her companion's delight, she returned to London, that lady went with her to the station and wafted her on her way. "The Morning Post" had been delivered as they left the house, and Mrs. Gereth had brought it with her for the traveler, who never spent a penny on a newspaper. On the platform, however, when this young person was ticketed, labeled, and seated, she opened it at the window of the carriage, exclaiming as usual, after looking into it a moment: "Nothing—nothing—nothing: don't tell me!" Every day that there was nothing was a nail in the coffin of the marriage. An instant later the train was off, but, moving quickly beside it, while Fleda leaned inscrutably forth, Mrs. Gereth grasped her friend's hand and looked up with wonderful eyes. "Only let yourself go, darling—only let yourself go!" "About its being her that thinks she has gone too far." This was still slightly obscure, but now Fleda understood. "It mustn't seem to come from her at all, don't you know? That would only make Mummy worse." Mrs. Gereth jumped at this. "So that she'll break altogether if I keep them?"